Art and Design

Art and Design

NYT > Art & Design
Art Review: Tomás Saraceno’s ‘Cloud City,’ on the Met’s Roof	Saraceno, Tomas	5/26/2012 4:27 AM
The interactive Tomás Saraceno sculpture “Cloud City,” on the roof of the Met, is the latest example of scientific-based fun-house formalism.
Art Review: Klimt’s 150th Anniversary, at Neue Galerie	Art	5/25/2012 1:17 PM
Gustav Klimt and his 1907 portrait of Adele Bloch-Bauer are the centerpieces of a 150th-anniversary celebration at the Neue Galerie.
Exhibition Review: ‘Beer Here,’ on Brewing, at New-York Historical Society	Beer	5/25/2012 1:20 PM
A slightly intoxicating new exhibition at the New-York Historical Society, “Beer Here: Brewing New York’s History,” ends in a small Beer Hall, where you can imbibe.
ArtsBeat: Lacma's Rock Gets an Official Opening, Finally	Levitated Mass	5/23/2012 1:43 PM
The art installation "Levitated Mass," beset by numerous delays, is scheduled to open to the public on June 24.
ArtsBeat: Museum of Fine Arts, Boston Gets Major Gift of Photographs and Other Works	Ansel Adams	5/22/2012 2:55 PM
The Museum of Fine Arts, Boston has received a bonanza from one of its longtime trustees, including 6,000 photographs by Charles Sheeler, Edward Weston and Ansel Adams.
ArtsBeat: Parrish Art Museum to Open New Building in November	Art	5/21/2012 4:02 PM
The Parrish Art Museum, in Water Mill, N.Y., will have almost three times as much exhibition space when it opens on Nov. 10.
Joe Bonham Project Illustrates the Wounds of War	Art	5/27/2012 12:27 AM
Artists in the Joe Bonham Project are tracing the long path of rehabilitation by drawing wounded service members.
Makers: Who Made That Fly Swatter?	Inventions and Patents	5/27/2012 12:55 AM
Building the perfect mechanism to kill with one hand.
‘The Slasher Movie Book’ by J. A. Kerswell	Movies	5/25/2012 5:40 PM
J. A. Kerswell’s “Slasher Movie Book” looks back lovingly at posters for horror movies both classic and wretched.
Art Review: Heinrich Kuehn With Stieglitz and Steichen	Photography	5/25/2012 1:32 PM
The Viennese photographer Heinrich Kuehn saw the camera as an image-making tool to be manipulated like a paintbrush in the service of a desired effect.

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